A sermon preached today in the Chapel of The Presbyterian College.
Nadia Myre is an Algonquin and Quebecois artist originally from Maniwaki who now lives and works here in Montreal. She’s not well known across the country, but her work is significant enough that she has a solo show at the Musée des beaux-arts here in Montreal right now. That exhibit explores the encounter between the Indigenous peoples and western, colonial cultures – an encounter she actually embodies in her own person.
Nadia Myre is perhaps best known for what she called “The Scar Project.” It was 8-year undertaking that ran from 2005 to 2013. Strictly speaking, it wasn’t Myre’s own work. Rather, the scar project was a communal work – a work created by many people over those eight years.
Over those years, the artist invited participants to sew their scars – physical scars, emotional scars, or psychological scars – to sew their scars into a 10-inch by 10-inch canvas. Each participant, each person, was given their own framed canvas, into which they could sew representations of the pain of their lives, the scars of their bodies and souls. Each participant was also invited to write a narrative, short or long, to accompany their canvas. Myre brought this project to schools, to seniors residences, to museums, and to galleries – and over the eight-year period, a total of 1,400 canvases were completed. She then exhibited them in a variety of contexts and a variety of ways. Myre created both a video installation and a book that brought together the images with the stories. Let me give just two examples of the anonymous narratives shared as part of the project: Continue reading